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The Hollow Men

The Hollow Men

T S ELIOT
 
Mistah Kurtz – he dead.
A penny for the Old Guy
 
I
 
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when 
We whisper together
Are quiet and meaningless
As wind in dry grass
or rats’ feet over broken glass
In our dry cellar
 
Shape without form, shade without colour, 
Paralysed force, gesture without motion;
 
Those who have crossed
With direct eyes, to death’s other kingdom 
Remember us – if at all – not as lost
Violent souls, but only
As the hollow men 
The stuffed men. 
 
II
 
Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear: 
There, the eyes are
Sunlight on a broken column 
There, is a tree swinging
And voices are 
In the wind’s singing 
More distant and more solemn 
Than a fading star.
 
Let me be no nearer
In death’s dream kingdom 
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer.
 
Not that final meeting 
In the twilight kingdom
 
III
 
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.
 
Is it like this
In death’s other kingdom 
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone. 
 
IV
 
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
 
In this last of meeting places 
We grope together
And avoid speech
Gathered on this beach of this tumid river
 
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men. 
 
V
 
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning. 
 
Between the idea
And the reality
Between the motion 
And the act
Falls the Shadow
 
                For Thine is the Kingdom 
 
Between the conception
And the creation 
Between the emotion 
And the response
Falls the Shadow               
 
                Life is very long
 
Between the desire
And the spasm 
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow               
 
                For Thine is the Kingdom 
 
For Thine is
Life is
For Thine is theThis is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but with a whimper. 

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Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist, publisher, playwright, literary critic and editor. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship. Considered one of the 20th century's major poets, Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including "The Waste Land" (1922), "The Hollow Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943). He was also known for his seven plays, particularly Murder in the Cathedral (1935) and The Cocktail Party (1949). He was awarded the Nobel Prize in Literature in 1948, "for his outstanding, pioneer contribution to present-day poetry". [Wikipedia].

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Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist, publisher, playwright, literary critic and editor. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship. Considered one of the 20th century's major poets, Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including "The Waste Land" (1922), "The Hollow Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943). He was also known for his seven plays, particularly Murder in the Cathedral (1935) and The Cocktail Party (1949). He was awarded the Nobel Prize in Literature in 1948, "for his outstanding, pioneer contribution to present-day poetry". [Wikipedia].

TSE@deadguy.com

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